yungchub:

i’m everyone in this gif

yungchub:

i’m everyone in this gif

yesawwwh:

unamusedsloth:

Even on an escalator. [Video]

WHY THE HELL DIDNT I THINK OF THIS.

zellah4:

OMFG

whatisatroyler:

sluttytroye:

tylerstroyeboy:

when girls wear ‘boy clothes’ shes seen as ‘cool’ or ‘hipster’

but as soon as a guy wears ‘girls clothes’ he gets called gay, or fag

if you dont think thats fucked up what is wrong with you?

because society thinks its degrading to be a woman

damn

spoopydollphin:

yes, call hetalia “boring” or “offensive”, but our track names on one drama cd are just emoticons 

image

image

utenafanclub:

sabrinabea:

straightally:

imagine a cute girl werewolf tho. shed turn into a floofy dog. a big floofy dog to hug you. a cute girl that turns into a cute dog. wtf

Big….Brother…Edward

THATS NOT WHAT I MEANT

deadliftsandredlips:

lifeweightsandpavement:

Way too powerful an image here…
This speaks volume about the standards expected in society on how one should look. And how young we begin to be bombarded with these standards…
Picture by Meg Gaiger

I can’t remember the amount of times of cried while grabbing at my fat and wishing I could cut it off. It started when I was eight. This picture and the meaning behind it is so, so important.

deadliftsandredlips:

lifeweightsandpavement:

Way too powerful an image here…

This speaks volume about the standards expected in society on how one should look. And how young we begin to be bombarded with these standards…

Picture by Meg Gaiger

I can’t remember the amount of times of cried while grabbing at my fat and wishing I could cut it off. It started when I was eight. This picture and the meaning behind it is so, so important.

gelatokitty:

So I tried one of those screenshot redraw things; Italy, you’re just too precious (Beautiful World ep. 10) 

mimswriter:

Kurt Vonnegut: 16 Rules For Writing Fiction
1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
2. Give the reader at least one character he or she can root for.
3. Every character should want something, even if it is only a glass of water.
4. Every sentence must do one of two things — reveal character or advance the action.
5. Start as close to the end as possible.
6. Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them — in order that the reader may see what they are made of.
7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.
9. Find a subject you care aboutand which you in your heart feel others should care about.
10. Do not ramble.
11. Keep it simple. Simplicity of language is not only reputable, but perhaps even sacred.
12. Have guts to cut. Your rule might be this: If a sentence, no matter how excellent, does not illuminate your subject in some new and useful way, scratch it out.
13. Sound like yourself. The writing style which is most natural for you is bound to echo the speech you heard when a child.
14. Say what you mean. You should avoid Picasso-style or jazz-style writing, if you have something worth saying and wish to be understood.
15. Pity the readers. Our stylistic options as writers are neither numerous nor glamorous, since our readers are bound to be such imperfect artists.
16. You choose. The most meaningful aspect of our styles, which is what we choose to write about, is utterly unlimited.

mimswriter:

Kurt Vonnegut: 16 Rules For Writing Fiction

1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.

2. Give the reader at least one character he or she can root for.

3. Every character should want something, even if it is only a glass of water.

4. Every sentence must do one of two things — reveal character or advance the action.

5. Start as close to the end as possible.

6. Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them — in order that the reader may see what they are made of.

7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.

8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

9. Find a subject you care aboutand which you in your heart feel others should care about.

10. Do not ramble.

11. Keep it simple. Simplicity of language is not only reputable, but perhaps even sacred.

12. Have guts to cut. Your rule might be this: If a sentence, no matter how excellent, does not illuminate your subject in some new and useful way, scratch it out.

13. Sound like yourself. The writing style which is most natural for you is bound to echo the speech you heard when a child.

14. Say what you mean. You should avoid Picasso-style or jazz-style writing, if you have something worth saying and wish to be understood.

15. Pity the readers. Our stylistic options as writers are neither numerous nor glamorous, since our readers are bound to be such imperfect artists.

16. You choose. The most meaningful aspect of our styles, which is what we choose to write about, is utterly unlimited.

spamano-butt-sex:

▼log2▲ by zat 
polskiskiski:

***

neptunain:

what if you tried to call off of work and you are just like “im sick today” and your boss was like “i know dude you’re one of the sickest bros here” and you were like “no i mean it im ill” and your boss says “yeah you the illest”